aka The Gold Spider
Written and Directed by Segundo de Chomón
This one is a special treat. Not only is it the earliest big spider movie I’ve heard of, but it’s also one of the oldest surviving representations of a spider on film! It’s only eight minutes long, and one shot is badly damaged, but L’araignée d’or is a splendid example of early narrative film and special effects.
Written and Directed by Ken Russell
Adapted from the play by Sandy Wilson
Starring Twiggy, Christopher Gable, Max Adrian, Bryan Pringle, Tommy Tune, Antonia Ellis, Barbara Windsor, and Vladek Sheybal
When the Celluloid Zeroes started talking about doing a Ken Russell round of reviews, I thought I’d write up Savage Messiah. Since Russell is most remembered now for horror and the cult rock opera Tommy, I wanted to look at something different. Unfortunately, I’d lent my copy to someone I don’t see often. Running an Amazon search on his name turned up a 1971 musical that I’d never heard of, which would be released on blu in time for the roundtable. I preordered it and hoped for the best.
Directed by Mike Mendez
Written by Gregory Gieras
Starring Greg Grunberg, Lin Shaye, Ruben Pla, Alexis Kendra, Lombardo Boyar, and Ray Wise
Titles are important. They set audience expectations of tone and content. Other factors play into it of course — trailers, posters, tie-in products — but in the end, it’s just the title listed with a time. So when I learned there was a film named Big Ass Spider! I figured it would deliver a big damn spider, a comical tone, and hopefully enough action to make up for its shortcomings. Spoiler: my guess was right.
Written Directed by Brett Piper
Starring Erin Brown (as Misty Mundae), Julian Wells, Rob Monkiewicz, Erika Smith, Michael R. Thomas, Caitlin Ross, and Sylvianne Chebance
If you’re setting out to review every big spider movie commercially available, you’re going to eventually have to deal with sleazy movies. I’m talking low-budget films with lots of gratuitous nudity and sex, simulated or otherwise. When I did a movie podcast years ago, the episode that broke me was about Jess Franco’s Mari-Cookie and the Killer Tarantula. Two of my friends took my displeasure as a challenge and watched for themselves. One said he’d seen worse but agreed it wasn’t good. The other sent a messenger to kick me in the junk for him. At least I’d earned it.
aka Prehistoric Valley
Directed by Edward Bernds
Written by Edward Bernds and Donald Zimbalist
Based on the novel Career of a Comet by Jules Verne
Starring Cesare Danova, Sean McClory, Joan Staley, and Danielle De Metz
Jules Verne is perhaps best remembered today for the novel Twenty Thousand Leagues Under the Sea. The story of Nemo and his advanced submarine has been adapted to screen many times, as have his works Journey to the Center of the Earth and Around the World in Eighty Days. So popular were movies of Verne’s adventure stories that it was tempting to produce anything that his name could be attached to. For instance, by using just the barest premise of Of On a Comet (here credited as the subtitle of the translation called Hector Servadac; or The Career of a Comet) the producers of Valley of the Dragons were able to promote a rambling Lost World ripoff as being a Jules Verne movie.
Directed by J. Lee Thompson
Written by Gene Quintano and James R. Silke based on the novel by H. Rider Haggard
Starring Richard Chamberlain, Sharon Stone, Herbert Lom, John Rhys-Davies, Ken Gampu, and June Buthelezi
Raiders of the Lost Ark made a huge splash when it came out in 1981, immediately creating a wave of adventure movies. The success of Romancing the Stone in 1984 proved that the treasure-hunting genre still had plenty of steam in it, although imitators of both films fell rapidly into the forgotten crevices of empty theaters. It was inevitable that Cannon Films would try to catch the train and hubris that they’d do so with a 2-picture deal for the dusty adventures of Allan Quatermain, the Great White Hunter.