Directed by Gary Jones
Written by Boaz Davidson, Stephen David Brooks, Jace Anderson, and Adam Gierasch
Starring Lana Parrilla, Josh Green, Oliver Macready, Nick Swarts, Mark Phelan, and Leslie Zemeckis
Ever since H.G. Wells wrote The Food of the Gods, scientists have been creating bigger spiders. Usually it’s in the pursuit of better nutrition, but every now and then it’s a straightforward attempt to weaponize arachnids. The film Spiders is the first entry in a series of movies based on this inadvisable weapons program.
The Giant Spider (2013)
Written and Directed by Christopher R. Mihm
Starring Shannon McDonough, Daniel Sjerven, Billie Jo Konze, Michael Cook, James Norgard, and Mark Haider
Homage movies can be a challenge to review. More than most movies they are meant to be seen in the context of a particular genre and/or period of filmmaking, depending on the audience having at least passing familiarity with the sources. It’s similar to the spoof, which relies on audience expectations built from one or more previous movies. They can be hard to distinguish at times — much of the humor of The Lost Skeleton of Cadavracomes from deliberately crafted flaws, typical of the movies it emulates — but in general the homage seeks to tell a story more than to poke fun. Such a film is The Giant Spider
Written and Directed by Edward Bernds
Starring Hugh Marlowe, Nancy Gates, Nelson Leigh, Rod Taylor, Shirley Patterson, Lisa Montell, Christopher Dark, and Everett Glass
One of the most enduring science fiction stories is The Time Machine, by H.G. Wells. Apart from popularizing the notion of time travel, it influenced the way we think about the future in terms of what will become of the human race and its civilizations. Humanity splits in two, with the Eloi physically dwindling and living in shiny towers while the Morlock grow strong laboring underneath. While Wells’ work stressed the division between the working and ruling classes, others would use the premise to make their own statements. The film World Without End uses the threat of nuclear war to create a future where humans on the surface are enslaved by mutants while those who sheltered below ground are failing to thrive.
Directed by Jeff Leroy
Written by Eric Spudic
Starring Lisa Jay, Jeff Ryan, Phoebe Dollar, Calley Edmunds, and Ron Jeremy
Some movies aren’t good. Some movies are so bad they’re enjoyable. Some movies try to be so bad they’re enjoyable and wind up on SyFy. Some movies take that as a challenge and appear to be created as some form of social experiment to find out if people will actually watch anything. I owe apologies to some of the movies I’ve panned, because Creepies proved that it’s possible to be more artless and less ambitious than The Asylum.
aka The Gold Spider
Written and Directed by Segundo de Chomón
This one is a special treat. Not only is it the earliest big spider movie I’ve heard of, but it’s also one of the oldest surviving representations of a spider on film! It’s only eight minutes long, and one shot is badly damaged, but L’araignée d’or is a splendid example of early narrative film and special effects.
Written Directed by Brett Piper
Starring Erin Brown (as Misty Mundae), Julian Wells, Rob Monkiewicz, Erika Smith, Michael R. Thomas, Caitlin Ross, and Sylvianne Chebance
If you’re setting out to review every big spider movie commercially available, you’re going to eventually have to deal with sleazy movies. I’m talking low-budget films with lots of gratuitous nudity and sex, simulated or otherwise. When I did a movie podcast years ago, the episode that broke me was about Jess Franco’s Mari-Cookie and the Killer Tarantula. Two of my friends took my displeasure as a challenge and watched for themselves. One said he’d seen worse but agreed it wasn’t good. The other sent a messenger to kick me in the junk for him. At least I’d earned it.
aka Prehistoric Valley
Directed by Edward Bernds
Written by Edward Bernds and Donald Zimbalist
Based on the novel Career of a Comet by Jules Verne
Starring Cesare Danova, Sean McClory, Joan Staley, and Danielle De Metz
Jules Verne is perhaps best remembered today for the novel Twenty Thousand Leagues Under the Sea. The story of Nemo and his advanced submarine has been adapted to screen many times, as have his works Journey to the Center of the Earth and Around the World in Eighty Days. So popular were movies of Verne’s adventure stories that it was tempting to produce anything that his name could be attached to. For instance, by using just the barest premise of Of On a Comet (here credited as the subtitle of the translation called Hector Servadac; or The Career of a Comet) the producers of Valley of the Dragons were able to promote a rambling Lost World ripoff as being a Jules Verne movie.