Directed by Jeff Leroy
Written by Eric Spudic
Starring Lisa Jay, Jeff Ryan, Phoebe Dollar, Calley Edmunds, and Ron Jeremy
Some movies aren’t good. Some movies are so bad they’re enjoyable. Some movies try to be so bad they’re enjoyable and wind up on SyFy. Some movies take that as a challenge and appear to be created as some form of social experiment to find out if people will actually watch anything. I owe apologies to some of the movies I’ve panned, because Creepies proved that it’s possible to be more artless and less ambitious than The Asylum.
aka The Gold Spider
Written and Directed by Segundo de Chomón
This one is a special treat. Not only is it the earliest big spider movie I’ve heard of, but it’s also one of the oldest surviving representations of a spider on film! It’s only eight minutes long, and one shot is badly damaged, but L’araignée d’or is a splendid example of early narrative film and special effects.
Written Directed by Brett Piper
Starring Erin Brown (as Misty Mundae), Julian Wells, Rob Monkiewicz, Erika Smith, Michael R. Thomas, Caitlin Ross, and Sylvianne Chebance
If you’re setting out to review every big spider movie commercially available, you’re going to eventually have to deal with sleazy movies. I’m talking low-budget films with lots of gratuitous nudity and sex, simulated or otherwise. When I did a movie podcast years ago, the episode that broke me was about Jess Franco’s Mari-Cookie and the Killer Tarantula. Two of my friends took my displeasure as a challenge and watched for themselves. One said he’d seen worse but agreed it wasn’t good. The other sent a messenger to kick me in the junk for him. At least I’d earned it.
aka Prehistoric Valley
Directed by Edward Bernds
Written by Edward Bernds and Donald Zimbalist
Based on the novel Career of a Comet by Jules Verne
Starring Cesare Danova, Sean McClory, Joan Staley, and Danielle De Metz
Jules Verne is perhaps best remembered today for the novel Twenty Thousand Leagues Under the Sea. The story of Nemo and his advanced submarine has been adapted to screen many times, as have his works Journey to the Center of the Earth and Around the World in Eighty Days. So popular were movies of Verne’s adventure stories that it was tempting to produce anything that his name could be attached to. For instance, by using just the barest premise of Of On a Comet (here credited as the subtitle of the translation called Hector Servadac; or The Career of a Comet) the producers of Valley of the Dragons were able to promote a rambling Lost World ripoff as being a Jules Verne movie.
Directed by J. Lee Thompson
Written by Gene Quintano and James R. Silke based on the novel by H. Rider Haggard
Starring Richard Chamberlain, Sharon Stone, Herbert Lom, John Rhys-Davies, Ken Gampu, and June Buthelezi
Raiders of the Lost Ark made a huge splash when it came out in 1981, immediately creating a wave of adventure movies. The success of Romancing the Stone in 1984 proved that the treasure-hunting genre still had plenty of steam in it, although imitators of both films fell rapidly into the forgotten crevices of empty theaters. It was inevitable that Cannon Films would try to catch the train and hubris that they’d do so with a 2-picture deal for the dusty adventures of Allan Quatermain, the Great White Hunter.
Directed by Bill Rebane
Written by Richard L. Huff and Robert Easton
Starring Steve Brodie, Barbara Hale, Robert Easton, Leslie Parrish, Alan Hale Jr., Bill Williams, and Diane Lee Hart
A lot of horror movies have misleading titles. The Monster That Challenged the World, for example, merely bothered a small boat. One thing I can say in defense of The Giant Spider Invasion is that its title is not technically a lie. There are spiders that are ecologically invasive, and one of them is indeed effing huge. That’s about the only thing impressive about it. The spider, I mean. More on that later.
Directed by Arthur Hilton
Written by Roy Hamilton, Al Zimbalist, and Jack Rabin
Starring Sonny Tufts, Victor Jory, Marie Windsor, William Phipps, Douglas Fowley, Carol Brewster, Susan Morrow, and Suzanne Alexander
American society had changed during WWII. A shortage of men had brought women into the manufacturing workplace to help with the war effort, and with over 400,000 US casualties a lot of men weren’t coming back to reclaim those jobs. The men who prided themselves for saving the world felt threatened by the new independence of women, and their fear expressed itself in the repressive attitudes expressed as norms in television and films of the time. It can be difficult to recognize this in some of the more popular media, which comes off as merely dated. For your entry-point into seeing the reactionary misogyny of the time you need a clumsy and blatant display of it such as presented in the film Cat-Women of the Moon. As plot details are important to making this point, spoilers for a terrible 63-year old movie abound.